‘More to Lose’, Miley Cyrus’s new ballad: “It’s as if Bowie and Stevie Nicks had had a baby” | Music

We had already heard the new song of Miley Cyrus, More to lisein a private concert he offered for fans and friends last weekend in New York. We knew that it was one of those ballads with which the singer demonstrates the voice potential she has, “An instant classic”She said in that event herself.

And always looking at the past. There are many who listening to this new theme of his expected Somthing Beautiful-his next album that will arrive on May 30 -have thought of referents such as Carole King, David Bowie, Bonnie Tyler either Stevie Nicks And Miley has that taste for the classic.

“In a song like More to liseI try to maintain a unique perspective. I add my harmonies, improvisations at the end, but it is more a song that tells a story and I never want to be interrupted, you think too much or look for perfection, “he said in an interview he has shared in his stories,”I never wanted More to lise It was perfect, I wanted significant and emotional to sound“

And it seems that he has achieved it and now arrives with a video clip directed by Miley Cyrus with Jacob Bixenman, Brendan Walter. As for production credits, we find her with her boy, MAXX MORNADO and Shawn Everett, Michael Pollack and Jonathan Rado.

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There is already a user who has shared their interpretation of this black and white video clip by referring to the end of a relationship. This is how has related the costumes to each stage of duel in a break.

White Dress – Wedding: Represents the beginning: purity, hope and belief in love. Miley seems cheerful and accepts love despite knowing that she brings suffering. There is a silent acceptance that love and pain coexist.

Cocktail dress – wife: Reflects the intermediate phase of the relationship. It seems in conflict, frustrated, doubtful but still determined to stay and make things work. She carries the weight of the commitment and struggles to preserve what is escaped.

Black – funeral dress: Symbolize the end. Not the death of a lover, but the death of love itself. This stage shows aggression and release, contrasting markedly with the softness of the white dress. The funeral of love becomes the most powerful image and, ultimately, eclipses the hope and effort they came before.