A MYSTERY IN CABRA
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Amalia fossil integrates all the narrative qualities of the first novels of Miguel Ranchal to form a book full of action and intersective arguments that make it a suspense adventureprone to become Cinematographic script. Historical references are attached to create a Canevá narrative compactskated by the beauty of language and the precise and copious selection of the lexicon that dares with the most risky associations, the more hyperbolic metaphorsthe more fúlgid wordsthe diminutive and Colloquial syncopas typical of Andalusian speech; And do not hesitate to use the more foul language In Palmaria imitation of the usual slang in which we are irrevocably mired.
In May 1926, Spain first welcomes the World Congress of Geology. Held in Madrid, Cabra and its geological environment will also be the scene of a Congress session, which means the international recognition of its privileged environment. Here begins the story of Dusan Novotnymember of the Czechoslovaca delegation, pledge of one of the congressmen Amalia Spadaforwho tries to seduce him to help her materialize an obsession: the Discovery of two fabulous gems, The camachaswhich belonged to a Russian princess and the mentories of the Soviet revolution They place in the Goat chasma place that has aroused all kinds of mysteries, from being the mouth of the Averno to the inspiration of Cervantes In his work Magna The Quijote. In March 1972, this story resumes, now together with the political situation that anticipated the change in the Government of Spain where the disappearance of the plane of Franc and the establishment of a III Republicin which Julián Grimau It stands as president, trying to restrain tensions between the forces of the Old regime and the drivers of a new Rule of law. The scenario changes to move to a hospital and, from this restricted universe, our author shows us the polyhedral warp of an anecdotal cane where television programs are imbricated , mythological mentions, political gossip, echoes of society and numerous free references.
A mysterious beheaded corpse attracts the attention of cousins Amador and Benito Lever For the curious tattoo of the ammonites that the fenecida has engraved on the chest, third of the Zígor Virache Tattoos About the bodies of Amalia Spadafor, Mercedes Bosko and Delia Elisa Montesinos. When there is a double death, that of a warden and the Forensa Benitothe police bias is injected as a vertex to give a prominence to Amador, whose love scarves allow Ranchal to show us a Erotic cartography irrigated through the text as a powerful ventricle. Also injured in the brawl, hides Benito’s body and seeks help in the Chief nurse Herruzo To execute an emergency cure, asking him to cover his necessary absence. The discovery of a date, 1926, warns the internist of a possible path to recover the thread of the mystery: the Cabra Sierra and immersion inside Amalia. The narrative virtuality Ranchal when describing the atmosphere of The fucking batonperfect place to recover the memory of Spadafor and the two garnet gems, which Ranchal uses to show his knowledge about the art of diplomacy; as well as your mastery to do of Flashback A technique where the past and present are assembled.
The final chapters begin in April 1980. The temporal news that reports from history and society continues to be happening. This contributing documentation polyphony is what celebrates narrative architecture. Not even the glow of the camachas or the fascination of the breasts tattooed by Virache with the curious ammonites can make us lose the true intention of a deconstructed diachronic cosmogony about a warm -waring of arguments where the very sharp humor stands in faithful of the balance.
Like everything that means elaboration commitment, Amalia Fósil does not have an easy reading, in the manner of what is ending the assumption of the effort today, tending to simplify everything, focusing on the Empire of the Inepcia. Nothing is further from the splendid narrative work of Miguel Ranchal.
‘Amalia fossil’.
Author: Miguel Ranchal.
Editorial: Aliar editions. Granada, 2024.
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