Only the youngest know who it is Billie Eilish. She was born in 2001 in Los Angeles and her fourteen years reached great notoriety for her song Ocean eyes. Three years before he made his first piece inspired by the zombie series The Walkig Dead. The critics of the thing consider her electropop singer and her voice as a soprano. It usually exaggerates its whisper and velvety airs.
She is an actress and actor daughter who, in turn, are musicians and participate in her productions and concerts. The creation of his songs rests on his brother FINDINGS (1997). It is a family business. Neither she nor her brother went to school, they were educated at home by their parents. We can imagine the type of socialization of some children in the business environment of the Los Angeles show, in an absolute nihilism situation disguised as progress. Billie says she was raped as a child, but does not want to point guilty. Recognize that you have syndrome of Tourettedepression and episodes of synesthesia.
The reality is that the Dicaprio child was very depressed and his father, cartoonist, when the little one went home, did not even provide a bed but a lot of comics on which to lie to sleep.
Let’s dedicate some lines to compare some details of another girl born shortly after starting the century. Greta Thunberg (Stockholm, 2003) is the daughter of actor and lyric singer. He is a child victim of propaganda manipulation about climate change. He heard about it at his eight years and entered depression “seeing that no one did anything,” he said. Then he was diagnosed with Asperger’s syndrome, TOC and selective mutism. They are children who grow within environments in which everything is representation and in which the truth is somewhat annoying, even in bad taste.
Those children’s situations of Billie and Greta with some comfort do not resemble the childhood of DiCaprio (Los Angeles, 1974) who knew the most degraded aspects of drug addiction and prostitution in Los Angeles after the divorce of his parents, when he was one year old. He, in the documentary Before Be latewhere he proposes the reduction of the population, he mentions his father as someone artistically relevant for having had contact with the New York court of Andy Warholthe cynical. The reality is that the Dicaprio child was very depressed and his father, cartoonist, when the little one went home, did not even provide a bed but a lot of comics on which to lie to sleep. His mother, obsessed with which the child had to succeed in the audiovisual, took him, almost daily, to the peers.
After the lysergic nihilism of the 60s, it came, as reinforcement, the spectacularization of the nonsense from the 80s, a disorientation that lasts today in varied formulas of morbid steetization.
Just a year ago he released his third album entitled Hit me hard and soft (Sit and soft). The album has a very careful production that enhances the hypnotic condition of his voice. He has been in the first positions of the lists in twenty countries, with many praise of the so -called “musical critic”
The three have become very rich and the three work for antihuman projects with the climate excuse. DiCaprio refuses to marry, but not to change brides, Eilish declares himself bisexual and Thunberg only accepts bride and groom as abducted as her for the environmental cause and Antijudía. There are three examples of the master lines that foster the anti -cultural industries for the masses today. People who, to put it gently, suffer from an important cognitive and emotional immaturity triumph. They become models for attitudes and behaviors of many children who are also mutilated intellectual and morally in the classrooms of Pilar Alegría.
Thus, let’s see the most recent media operations of Billie Eilish. Just a year ago he released his third album entitled Hit me hard and soft (Sit and soft). The album has a very careful production that enhances the hypnotic condition of his voice. He has been in the first positions of the lists in twenty countries, with many praise of the so -called “musical critic.” The lyrics of the ten songs of the album do not stop mentioning love as a problem of emotional instabilityof insecurity, of desires whose satisfaction does not comfort either. An infinite distrust of what she calls love while demonstrating that she has no idea what that can be. As a minister of dismantled Spain, something like that. By the way, that, in its official videos, it uses a dark image of itself submerged underwater. It may be an allusion, conscious or unconscious, to the siren songs.
On day 6 he put a video in which, as products of animal origin passed -the eggs and milk
On April 22, World Day of the Earth, he matched clearly, before his 124 million followers on Instagram, his current tour with the promotion of that mental illness called “sustainability.” The 23 made a concert at the Aver Sand of Stockholm in whose scenario there were no infernal flares of those that are not achieved without fuels. People’s enthusiasm before fire became incontestable as verified in the videos on the Internet. On May 5, a poster went up to Instagram in which he defines his concerts again Hit me hard and soft as “European Tour Sustainability”. On the 6th he put a video in which, as products of animal origin pass -the eggs and milk -, by the code reader of a supermarket cashier they sound sore complaints of the animals concerned. The video ends with phrases like this: “Animals are not merchandise, it rejects the exploitation of animals, even if they are well cared for.” For the concert he offered on May 9 at the Uber Arena in Berlin, with capacity for 17,000 people, he taught very precise two days before: “Bring non -perishable plant products to my show. They will be donated to Berliner Tafel.”
The aesthetics of poverty
The “tafel” in Germany are like food banks here. And they have decided to “eat healthy” and no meat. So, if you are poor in Germany you no longer have the right to eat meat. The moral hell of the American Billie Eilish gears well with the unfortunate EU projects. In 2022, 2,000 million people resorted to Tafel, 50% more than the previous year. It is the statistics and aesthetics of poverty 2030.
