Paul Dej \ u00f3 to tens of thousands of Uruguayans with a smile that still hard, and said goodbye to a \ u201Chasta the pr \ u00f3xima \ u201d. The truth is that, after the experience, we believe. Because this concert does not end Never. <\/p> “,” state “:” “,” update “: null,” text1 “:” “,” text2 “:” “,” text3 “:” “,” text4 “:” “,” text5 “:” “”, “text6”: “”, “text7”: “”, “comment”: “yes,” private “:” if “,” date “:” 19:22:00 “,” Date Publication “:” 2024-10-03 01:50:00 “,” Date Expiration “:” 0000-00-00 00:00:00 “,” _ Origin “:” “,” Date “:” 0000-00-00 00:00:00 “,” Tags “:” “,” dates “:” 2024-10-03 03:53:45 “,” Date “:” 0000-00-00 00:00:00 “,” Embedvideos “:” 0 “,” Linkextern “:” “,” Linkexternarguet “:” “,” Presentation “:” Image-Text “,” Tinyurl “:” “,” Idnotab “:” 5393564 “,” Link “:” https: \/\/www.busqueda.com.uy \/Life-Cultural \/Paul-McCartne y-again-inamora-al-publico-uruguayo-n5393564 “,” linkamp “:” https: \/\/www.busqueda.com.uy \/life-culture L \/Paul-McCartney-Volvio-Enamora-Al-Public-Uruguayo-N5393564 \/AMP “,” Linktarget “:” “,” titleonota “:” Paul McCartney came back \ u00f3 to fall in love with the Uruguayan p \ u00fablico “,” copetenota “:”
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Taylor Swift, pioneer of a new model
In 2019, everything changed for Taylor Swift. When he ended his contract with his old record, he discovered that his Masters They had been relieved without their consent. In response, he decided to re -record his former issues, a strategy that allowed him to continue to be the head of copyright (letter and melody). The result: the new versions had great commercial success and progressively eclipsed the originals, generating new income under their control. But this solution has a cost: Re -regret albums requires important resources. Therefore, in parallel, Taylor Swift opted for another more radical strategy: repurchase the rights of its first albums. An expensive operation – the estimates speak of hundreds of millions of dollars – but that guarantees the total control of his work.
Towards the economic emancipation of artists
Taylor Swift’s case is not isolated. In 2022, Kanye West also bought his Masters Universal thanks to a loan of one hundred million dollars.
Others, such as Paul McCartney, could not prevent the sale of their catalog to other publishers. This movement reveals a growing awareness by artists: the intellectual property of their works is a lever for artistic independence and an important economic asset.
In the future, the question of rights could be raised since the signing of the first contracts. An evolution that could deeply change the rules of the game in the music sector.
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