A robotic version of Katy Perry It was assembled with surgical precision: each mechanical component placed with obsessive meticulousness, without a single welding out of place. Within a post -epocalyptic future, an automaton with multiple arms connected the cables that fed this new synthetic diva. The result: a “Terminator” of pop, ready to display your code.
On, with neon eyes that emitted purple flashes, Katy was ready to start her mission … until a slight programming error or a simple bad calculation made her stumble and rush into the void. The silence was abruptly interrupted by a strident “Game Over” who blinked on the giant screens of the Arena Mexico Cityas if reality itself had become a retro console.
Thus began the first minutes of “The Lifeses Tour”the fifth world tour of the American artist, who chose Aztec land as a starting point for this visual and musical epic.
While the Grammy winner He presented his musical repertoire, attendees lived a total immersion in a universe where attendees ceased to be mere spectators to become avatars within a video game of love, music and cyber survival.
More than 20 thousand fans They were speechless before the scenic artifact parade, mathematical precision choreographies and changing rooms that seemed taken from a filmmaker Ridley Scott. Perry, transformed into digital heroine, furrowed the air suspended by harnesses that were barely seen, sliding through the heavens of the enclosure as if floating between the levels of a futuristic simulation.
When everyone planned to have seen everything, Katy made a series of aerial somersaults while floating towards the stage, challenging gravity with an elegance of avatar in perfect way. With the subject “Artificial” The narrative started: a wink to classics like The fifth element and Blade Runnerdotted with a “bullet time” style Matrixthat started shouts from the public when he made the famous slow motion movement.
At the beginning, the artist appeared suspended, “connected” by dozens of fluorescent cables, as if he were still carrying her emotional firmware. During “I KISSED TO GIRL”He locked himself in a transparent sphere with his dancers, executing movements that touched the circus and the Martian.
Each song was a new unlocked level: “Nirvana“It sounded while she did other pirouettes. But the moment of climax came with”Roar”, When Katy emerged mounted on a giant mechanical butterfly, furrowing the air like a Steampunk anime hero in full final battle.
The emotion reached its highest point when the singer discovered between the public two fans dressed as astronauts. She, who 10 days before had literally traveled to space, invited them to the stage, a infinite symbol -shaped platform. The fans knelt before her, not as subjects, but as characters that have just found their final boss … and ally.
In the final act, the battle was imminent. A group of villains out of a 90’s cartridge appeared on the scene. Perry, armed with a light saber, defended the stage singing “Et”, While a robotic colossus emerged from the scenic depths. One of his metal arms, the size of a pipe, threw blows that the singer dodged with an amazing synchrony.
“I am very happy to start my tour here. It’s great to see so much creativity in their outfits. They are incredible!” He said excitedly, wrapped in a set that looked cotton of intergalactic sugar and boots that could well have left the catwalk on some unknown planet.
