Miley Cyrus clarifies her dispute with Jennifer Lawrence

We talk about the dress that Miley Cyrus looked in the music video of his successful single “Flowers”, launched in 2023. The piece, a creation of file of Yves Saint Laurenthas generated a debate on social networks for its similarity with another golden dress, used by Jennifer Lawrence In the Premier of “The Hunger Games” in 2012, a film in which he acted next to Liam HemsworthCyrus ex -husband.

The coincidence, for many, was too perfect. The narrative became more complex when considering the already known relationship between Cyrus and Hemsworth, a decade marked by ups and downs, commitments, ruptures and a brief marriage. To this were added the rumors – never confirmed – of a possible romance between Lawrence and Hemsworth, fueling the Speculations on a possible hidden message in the choice of the outfit by Cyrus.

Faced with the insistence of fans and the press, Cyrus finally decided to break the silence. When questioned directly about whether the dress was a reference to Lawrence, he responded calmly: “No, but I love that dress of yours.” The response, apparently simple, has failed to silence speculation. Some consider it an elegant denial, while others perceive a subtle confirmation.

For his part, Lawrence had already addressed the issue in the past. In an appearance in “Watch What Happens Live With Andy Cohen,” he said: “It’s not true. It’s not true, a total rumor.” Although he admitted a kiss with Hemsworth, he clarified that this happened long after his separation from Cyrus. “Liam is very handsome. What would you have done?”he joked on that occasion.

The debate continues. Social networks have been filled with comments by analyzing every detail, every gesture, every garment. Meanwhile, the dresses, one an icon of vintage fashion, the other a memorable moment on the red carpet, remain as protagonists of a story that seems not to have a definitive end.

While speculation continues their course, it is clear that the cultural impact of “flowers” transcends music itself, becoming a case study in the management of public image and the interpretation of visual language in the digital era.