Miley Cyrus confesses in an interview and talks about her anxiety, her God, and her special relationship with Dolly Parton

Miley Cyrus, the prodigy girl who became a woman under the focus of the reflectors, has found in a golden trophy the caress that she did not know she needed. It might seem a simple statuette, one more Grammy for an artist who has lived all possible metamorphosis in front of the public eye. But not. This award for ‘flowers’ has been, as she herself has confessed in a Intimate interview for Apple Music, an emotional shooting, an balm for its most vulnerable self.

I didn’t plan to go, he says, he wasn’t going to act, he says. But there he was, standing against Oprah, fighting anxiety that, like so many, left him pandemic. The girl who hid behind Hannah Montana’s locker room, the rebel who challenged molds, needed that tangible validation, the symbolic hug of an industry that often hurts. And finally had it. Because even the stars also seek their redemption.

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Miley has learned to look in, confesses in the interview. Far from the stridency and easy headlines, the artist has opened a new stage marked by a sobriety that, as she defines, It is your God. Gone is that psychedelic house in the hills, painted black and rainbow, symbol of an intense era and on the edge. Today, serenity occupies its place. “Sobriety has changed my life,” he confesses to Apple without hesitation, as if it were a sacred statement.

In this new era, applause is not sought, it feels. Miley no longer goes on tour, because his body and his voice – unique, fragile, rounded – need other care. A Reinke’s edema diagnosis and a great polyp on the vocal cords have sealed that decision. “It’s like running a marathon with weights on your ankles,” he admits. Therefore, his creative universe becomes a film, experience, in ceremony. ‘Something Beautiful’ is not just an album, it is a way of living art from the ritual. Pop music, yes, but woven with gongs, electronic textures, sacred piano and dreams that expand beyond the ear.

The influence of the greats is not hidden either: Dolly Parton, her godmother and mentor, has been muse and driving of issues such as ‘More to lise’ or ‘Every girl you’ve ever love’. Between laughs and Christmas anecdotes, Dolly not only pushed his creativity, he also reminded him of the rigor and commitment of a true artistic project. With her there is no escape: 45 minutes of talk by car were enough for Miley to get out of that encounter with two new songs … that he had not yet written.

And as a good pop heiress – from the Beatles to Madonna, as she herself evokes – Cyrus knows how to listen. He speaks with admiration of Stevie Nicks and Elton John, how they stay updated, how legends are also fans. Look with respect for Beyoncé, “the mother of the world”, but it stands elsewhere: “I am more the friend of the world,” he says honestly, knowing that he does not need thrones to be heard.

Thus, between conversations, memories and confessions, Miley invites us to see it without filters. To leave behind the media cartoon and discover the woman behind the artist. The one that is excited to see Chappell Roan or Sabrina Carpenter. The one who knows that winning a Grammy is not the most important, but sometimes can heal more than a thousand applause.

Today, when looking for his name on Google, the phrase appears: “Miley Cyrus, a grammy winning artist.” And although he didn’t need it to be who he is, that line has returned him something he lost one day.

Miley Cyrus, the prodigy girl who became a woman under the focus of the reflectors, has found in a golden trophy the caress that she did not know she needed. It might seem a simple statuette, one more Grammy for an artist who has lived all possible metamorphosis in front of the public eye. But not. This award for ‘flowers’ has been, as she herself has confessed in a Intimate interview for Apple Music, an emotional shooting, an balm for its most vulnerable self.