Miley is at his best. With a new album on the way, advertising campaigns and an aesthetic that mixes elegance with rock, the singer is again a total inspiration. In its last appearances in New York, we saw it with very changer outfits.
This new stylistic stage is not accidental: it accompanies the launch of Subject Beautifulits next musical project that will see the light on May 30 and that anticipates a more sophisticated Miley, but faithful to its provocative essence. From XXL boots to subtle transparencies, we review the key tendencies that you used and how to carry them with its own winter in urban, elegant and very personality.
Each season brings new palettes that dominate the fashionista scene, and this 2025 the Burgundy imposes itself strongly. Miley chose him and added him to his look in a Burgundian jacket. This is an elegant and versatile tone. It is the nuance, between deep red and violet tones, which adds an air of mystery to any outfit and works both day and night. Encourage you to incorporate it into leather garments, blazers or even on your lips.
Miley Cyrus also encouraged transparenciesanother trend that steps strong this year. The key is to balance: choose a garment with strategic transparency (such as a blouse, a dress or a skirt with panels) and combine it with other more sober pieces. It is ideal for night outings or an event.
The stockings in sight became protagonists of the lookespecially if they are long and contrast with miniskirts or short dresses. Miley took them with punk chic attitude, combining them with dark boots and garments, remembering the rebel girls of the 90s. If you want to add them to your look, bet on those of opaque or stamped textures, and carry them with moccasins, stilettos or combat boots.
The boots above the knee took over Street Style and Miley takes them like nobody. Whether they are leather, with high taco or flat, the XXL boots stylize the figure and provide an instant dose of attitude. You can combine them with short garments or tight pants for a more urban look.
