Miley Cyrus has found unexpected use for the ‘Skinny’ belt without function

Miley Cyrus It is in its most innovative phase. First was the microflequillo with curly hair and now the singer of Flowers It has proposed to rehabilitate another controversial trend: the belt without function. On April 23, the 32 -year -old pop star walked through New York with the look More York as possible: a black -free black maxivestide with a high neck (better known as “beautiful dress”), groceries and large black sunglasses of those that make any style, however dos it is, automatically becomes a trend.
Instead of breaking the look With a leather jacket or any other focal point, Cyrus completed the set with a belt Skinny Black that surrounded its hip without other apparent utility than a mere ornamental function. This fashion gesture instantly transports that time not so distant in which the belts – then, of all sizes – were placed on dresses, outside the loop and even directly on the abdomen as in the (famous) case of Carrie Bradshaw in Sex in New York (HBO).
However, the Miley Cyrus of 2025, managed to find unexpected use for the belt without function. Overlapping on the dress that opened the Coperni Autumn Parade 2025-2026, as reported by Instagram, its trustworthy stylist, Bradley Kenneth, although at first glance it seemed like a discreet garment, the high-sleeved high neckless design was topped by a very fine black belt with an additional leather strip arranged in perpendicular to hold the spectacular opening of the leg.
Like many other controversial trends of the 2000 effect, the belt without a function claims its place in current trends with the support of some defenders such as Emily Ratajkowski or Dua Lipa that have revived aesthetics in recent seasons. Of course, Miley Cyrus is not one of those that are dragged by the current of a trend and has found a way to interrupt the rebirth of the belt without function giving it a task, a use, however unexpected it may be.
This article was originally published at Glamor.com
Translated and adapted by Blanca de Almondoz
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