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Armed with a powerful dancers, showing his love for his homeland and accompanied at all times of his daughter Blue Ivy, Beyoncé began his ‘Cowboy Carter’ tour presenting as the leader of a movement of struggle and empowerment of black women in the United States.

The American star began on Monday in the city of Inglewood (California) the expected trip of her album ‘Cowboy Carter’ with which he will travel several US states before jumping to the United Kingdom and France, unique international quotes of this show that has faced difficulties in the sale of tickets.

With almost three hours of show that began with an hour of delay, ‘Queen Bee’ promised a show with which she started dressed in white, with a suit identical to the one she wore in her successful show she offered in the Christmas special of the NFL match that was televised in Netflix.

As an omen, as if it were indicating to the thousands of attendees who invaded the Sofi stadium that would see a show of a star, Beyoncé made its way on a scenario full of American nations symbols.

It was no coincidence that at the beginning of the concert he launched the US anthem, since the calls to the freedom of his country took a relevant role in the ‘show’ narrative with the extolling of the black roots of country music.

“You never ask permission for something that has always belonged to you,” said a label on the screen behind his back as he began to sound ‘Freedom’, the anthem that promoted the career of the former American vice president Kamala Harris for the power of the White House in the last elections.

“This is for all white women tonight,” Beyoncé said after finishing the issue, while the screens continued to show images of historical moments in the conquest of spaces and rights of the black community in the US.

With an aesthetic in which the colors of the American flag predominated: red, white and blue; The artist proclaimed “the claim of America” ​​and dedicated a poem to the American black community.

Leaving his styles with which he pays tribute to his homeland, the state of Texas (USA), the star also faced criticism during his show.

From nowhere, it appeared in front of a strade full of press microphones to interpret ‘America has to problems’ (America has a problem) dressed in a uniform with newspaper retales that refer to the title of the song.

Although the tour escapes the identity of ‘Cowboy Carter’ through extolling American artists who preceded her in this genre, Beyoncé had space to return to her origins reviewing a little of her successes, such as ‘Diva’ or ‘Formation’.

Throughout the ‘show’, the artist was accompanied by her teenage daughter Blue Ivy Carter, who was part of the powerful body of dancers who accompanies Beyoncé in each show, although she also made an appearance for the first time on a Rumi stage, another of her daughters to which she dedicated ‘protector’.

From singing up to a golden mechanical bull to flying on a crowded stadium sitting on a horseshoe singing ‘Jolene’, Beyoncé offered a show in which he danced, resurrected the mythical ‘Crazy in Love’ and launched himself to tell his story of female empowerment.

He said goodbye to an almost crowded stadium with ‘Amen’, wearing a dress with the American flag and taking the stage a simile of the statue of freedom, with his mouth covered with a handkerchief and raising the torch as a sign of freedom.

Even and with Beyoncé’s background, who usually surprises with gigantic and energetic shows in which he sings and dances at the same time with dozens of dancers, the artist has faced himself in this tour of the unusual challenge of sale of tickets.

Half an hour before its show began, the tickets ranged between 50 and $ 80, as do the tickets for the following concerts it offers in Los Angeles in the next few days.

This represents a 75 % drop in the price with respect to the 800 dollars that came to cost in presale, according to NBC data.

Some Internet users even had found resale for only $ 20, reaching them with what a McDonalds menu costs in the US.