Shakira and Alejandro Sanz closer than ever in the video of their song ‘Kesame’: thus the long -awaited match was filmed

The public waited for years this moment: Shakira and Alejandro Sanz gathered again in a production that revives the chemistry that captivated almost two decades ago.

Under the title Kiss methe new collaboration of these artists was presented to the world on May 29, accompanied by a video that did not leave anyone indifferent.

The lyrics of the theme, full of a romanticism that invites interpretations, soon turned on the speculation about a possible link beyond the professional between the two musicians.

Meanwhile, the official video was responsible for maintaining that emotional tension, showing both in scenes that do not spare in closeness and complicity.

It was just what the followers of “La Loba” and the interpreter of PARTY HEART They had imagined.

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The announcement of this collaboration did not go unnoticed by those who long for the success of their previous works.

Since 2006, when Shakira and Alejandro created I apreciate it, but not After the global phenomenon of Torture, The expectation of a new artistic union was present, becoming almost a myth among his most faithful followers.

Finally, with Kiss methe artists delivered a work that reaffirms why their combination has been so acclaimed in Latin music.

“It is complex to find a song that does not fall obviously. After something like The tortureWe wanted to avoid repeating ourselves, but we also looked for something that had true taste, ”said Sanz, highlighting the search for authenticity in any new project with the Colombian singer.

This collaboration, which both wanted to recover for a long time, was marked by a shared humor.

Sanz remembered how he used to joke with Shakira to motivate her: “I always said: ‘When did a song together again? You make music only with the handsome and talent boys.’ But we had not found anything that we both connect at all.”

Although fans are still waiting for a new joint creation, Sanz made it clear that it is not about fulfilling expectations quickly.

“The right song is needed, that which allows us to be ourselves without staying in the past,” he said in dialogue with Billboard.

The history of Latin music in the first decade of the 2000s cannot be told without mentioning two key collaborations between Shakira and Alejandro Sanz.

These unions not only revolutionized the music scene, but also left an indelible brand in the trajectories of both artists, exploring from the intensity of emotions to reflections on love and its limits.

In 2006, singers surprised with a second joint project: I thank you, but not. This topic, included in the album Oral fixation, vol. 1 From Shakira, he adopted a more introspective approach, with letters that describe the need to close emotional cycles and mark limits, even when affection persists.

The song, with a fusion of ballad and Latin rhythms, showed an artistic maturity that reaffirmed the chemistry previously established.

The video clip, directed by Jaume de laiguana, brought that emotional narrative to the visual terrain. The intimate and minimalist scenarios highlighted the interpretations of Shakira and Alejandro, who managed to convey the complexity and tension that accompanies a final goodbye.

This duet not only consolidated the creative relationship between artists, but also became a memorable piece within the Latin American repertoire of those years.

But the seed of this collaboration had already been planted a year earlier with The torture. Throwed in 2005, this song became a global phenomenon, marking a before and after in the combination of pop and reggaeton. Shakira and Alejandro, playing two lovers wrapped in repentance and betrayal, gave voice to emotions full of contradiction. The melancholy and the desire to move forward resonated with millions of listeners.

The impact of The torture It was not limited to the audio. Your video clip, directed by Joseph Kahnused a powerful visual narrative, mixing images of sensuality and desolation. Shakira deployed its daring and characteristic essence, while Alejandro contributed vulnerability nuances that made history something tangible. It was one of the most reproduced videos on the platforms of the time, taking the single to international success with mass recognition.

The track of this romantic theme shows a hybrid between the flamenco roots that characterize the Madrid (and that Shakira also loves, according to Sanz himself in the cited interview), and the Afrobeat with which the Colombian has been entering in recent times.

Ah-ah, Ah-Ahah-Ah, Ah-Ahah

I tell you the truth (uh) if life is beautiful, you and they They are so similar to the end, I dare not let destiny decide If there is any risk of seeing me without you, I don’t want to betHum.

I warn you in case you did not notice, this is no longer a joke or with all the coffee of ColombiaI take off your aroma. To your mouth, forgive, but I want to hit you, you want to hit.

Do not think so much and kiss me that the mysteries are over Kiss me at once Zero fear, we will be seriously for those who hurt, to stop you no longer have to go, better come, stop at the wheel.

Do not think so much and kiss me that the mystery ends me at once zero fear, I will seriously be done to those who hurt, that he will stop and do not have to go behind, better come, stop by the wheel, ah.

Ah-Ahah-Ahuh-UH-UH

I wrote this song and a list of pending things the first is to make love to you urgently, stay for the third is like the first Hum, but more urgently

Everything I want, I want with you if you are my queen, I win to chess Love me without grief, there is nothing with you Inside and out, I’m how you see me, love

You make me better, what else do I tell you? Look, let’s go

Do not think so much and kiss me that the mysteries are endless at once zero fear, it is serious for those who hurt, that love is stated is not passenger when we go behind the wheel

Ah

The other night, I dreamed of you The other night, I dreamed of you that I was dying ‘and cold was heated to me your gaze

The other night, I dreamed of you The other night, I dreamed of you That I was dying ‘E cold warmed your gaze

Kiss me that the mysteries are quiet at once zero fear, we will seriously

Ah-ah, Ah-Ahah-Ah, Ah-Ahah-Ah, Ah-Ahah-UH.