Ten minutes passed when the Palau was filled with white strobes and the mysterious cube that remained in the middle of the track, illuminated before the cries of the crowd, which ended up crashing when the figure of Eilish appeared on the structure outfits Sports and the first consistent chords “Chihiro” began to sound. The Californian ran with energy along the stage – rectangular stew made of screens and two pits to the sides where the band was located, this time without her brother finmeas, and the two choristers – and folded the bet with another song of her new album, the sensual “lunch”, followed by “nda” and “Therefore i am”. The liturgical dimension of the concert came with “Wildflower”, a beautiful ballad that his fans chanted with such force that he had to resonate throughout Montjuïc, and “When the Party’s Over”, which followed a totally opposite ritual: get the sepulchral silence while Eilish recorded his initial harmonies in Loop already falls. In both cases, the Barcelona public fulfilled its mission.
The second part of the concert continued to braid moments of pure endorphine, such as the suggestive “Oxycontin”, its version of “Guess” with the voice Charli XCX and the consecrated “Bad Guy”; With the macabras “The Dinener”, “Bury A Friend” or “Ilomilo” and with emotional moments such as “Skinny”, the acoustic version of “Your Power”, the moving “Everything I Wanthed” or “The Greatest”, painful oda to the lack of reciprocity that sang up to a platform while the audience crowded each word as a prayer. Visibly exhausted, but without losing his innate magnetism, Eilish surprised his fans Barcelona with “Halley’s Comet”, one of the most hidden pearls of his second album, while commenting on the passage of time since his last cosmic return to the city.
