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As a Disney girl to global artist, Miley Cyrus has turned her image into a declaration of intentions: each haircut, tattoo and changing room have narrated their personal and artistic evolution. With the publication of his new album, ‘Something Beautiful’, we review the keys to a style that he has never asked for permission.

From its irruption in pop culture as a face of Disney to its consolidation as a chameleonic artist and owner of a personal and provocative aesthetic, Cyrus has used fashion as a language to reaffirm its autonomy and express its multiple transformations. Now, with the launch of a new album that reinforces its musical and aesthetic maturity, its style is again in the center of the cultural debate. This is a tour of its visual, symbolic and narrative keys. First years: the aesthetics of the good girl. The public image of Miley Cyrus began to mold when she was barely a teenager. His role like Hannah Montana – in the homonymous series of Disney Channel released in 2006 – placed it as a global youth idol. At the aesthetic level, this first period was defined by a mixture of bright styles, vaporous dresses, cowboy boots and sequin jackets that responded to both the character they played and to their southern education. Future of the screen, in …