Who were the poets who inspired Taylor Swift in his most literary album

Taylor Swift It is one of the great young influences of pop culture. For her melodies, her voice or her lyrics, the singer is still news. With a unique narrative style in his songs, Swift suggests his taste for the literature. The tortured poets department – The department of tortured poets – is one of the works in which the artist establishes direct connections with authors and movements that marked the history of poetry.

The album takes the bases of the Romanticism. Swift recovers the archetype of the “tortured poet” of the romantic era. At the same time it establishes parallels between its own artistic process and that of writers who marked that movement.

Taylor Swift’s allusion to Patti Smith and Dylan Thomas In its musical production it reflects a conscious appropriation of this literary and artistic inheritance. Swift’s phrase, “I laughed on your face and told you: ‘You are not Dylan Thomas, I’m not Patti Smith‘”, Summarizes the recognition of a creative lineage dedicated to transforming personal experience and, many times, suffering into art.

Likewise, in his album, Taylor Swift establishes parallels with the work and conflicts of authors such as William Wordsworth, John Keats and Samuel Taylor Colleridge, appropriating their metaphors and obsessions. Although most of the lyrics tend to incorporate subtle references before direct mentions, in several songs Swift takes up classic images of romanticismsuch as tragic love, uprooting and admiration for nature.

The emergence of romanticism at the end of the 18th century and its validity during the 19th century crystallized the image of the tortured poet: a creator marked by emotional overflow and the search for the sublime as opposed to enlightened rationalism. This literary movement privileged the expression of the self and subjective sensitivity to the great historical processes, such as the French Revolution, the rise and defeat of Napoleon and the abolition of slave trade.

Romantic writers rebelled against rationalism and order of the time of the Enlightenment. The authors opted for exaggerate and contradict reality. At the same time they celebrated intuition, spontaneous and sublime. Central literary such as William Wordsworth, John Keats and Samuel Taylor Colleridge used poetry to channel deep feelings and explore the human connection with nature and the supernatural.

He dark romanticism He was one of the predominant subgenres in Germany and America. The main characteristic was the gloomy and tragic language to explore the relationship between the divine and humanity. The turn to the dark was presented as a response to the growth of transcendentalism and its focus on the superiority of man.

In parallel, German writers developed a genre called Schwarze Romantika Gothic vision of the Middle Ages that included monsters and ghosts. One of the famous writers of this proposal was Edgar Allan Poe.

With the advance of the nineteenth century, literary continued with their focus on existential and social concerns. To the issues such as death and imperialism added technological advancement. For the twentieth century a new expression marked by political and cultural changes.